Skip to main content

Grateful Dead Live at Public Hall on 1973-12-06


Topics Soundboard


Set 1

Bertha, Mexicali Blues, Loser, Black Throated Wind, They Love Each Other, Beat It On Down The Line, Deal, El Paso, Row Jimmy, Greatest Story Ever Told, China Cat Sunflower > I Know You Rider, Around And Around

Set 2

Ramble On Rose, Me And My Uncle, Here Comes Sunshine, Big River, Dark Star-> Eyes Of The World> Stella Blue, Sugar Magnolia


Collection GratefulDead
Band/Artist Grateful Dead
Venue Public Hall
Location Cleveland, OH

Source SBD > MR > cassette > DAT > CD
Lineage CD > Wav > Sound Forge 9 for compression, volume and EQ > FLAC

Notes

2nd set includes the longest ever Here Comes Sunshine (15'38) and the 3rd longest ever Dark Star (43'28)

remastered version of source ID 4452

updated venue and setlist courtesy Deadlists

Reviews

Reviewer: quinn_76! - - April 20, 2013
Subject: A Sober(ing) Review: two & a half stars
Here's hoping I don't incur too much wrath here, but I have to respectfully disagree with all that's been said about this show, (“deadheaddave”'s below review notwithstanding). Indeed, it is '73 Dead (and even some of the worst played shows of '73 can still hold a robust candle to several top-shelf shows played from other years (even ’72 & ’77) in the Dead's stupendous catalog. Still, one has to give credit where credit is due… and offer constructive criticism when due.

To start, the first set of this show in Cleveland offers a standard menu of ditties that are played with an underwhelming level of gusto and inspiration, all things being equal. Allow me to cherry-pick a few numbers from the first set to illustrate my point. Not unlike many folks, I love the TLEO’s of '73, but this one feels sluggish and phoned-in, and is far inferior to others played this year (look to 2/15, 3/22, 9/7, 11/9, 11/30 for examples). Bobby Ace's seemingly strained vocals on GSET are not his best offering, and the ending segment of the song never quite broaches the jamming apex of other versions of the year (2/26 & 11/9 come to mind). The CHINA->RIDER paring to close the first set is executed pleasantly enough, but can one name one in '73 that isn’t? (And there are far superior versions offered from the year: 3/22, 3/16, 11/11, 11/14 come directly to mind....)

The second set (not surprisingly) offers more ear glitter than the first, but still ultimately leaves something to be desired—based on all the hype it gets. In order to avoid filibustering the obvious point of discussion for this set, I'll be curt and address the elephant in the room: DARK STAR! Clocking in at nearly 44 minutes, this version on the surface should be every Head's wet dream, and then some. Well… perhaps. Although this particular DS far & away exceeds its quota in terms of length, that doesn't necessary mean it does so in terms of performance. I’m of the persuasion that the long-winded duration and over-hyped chitter-chatter have blindsided some listener’s objective judgment. Get the cotton of yer ears folks! Yes, it’s a very long DS from the greatest band to have graced this earth, but there are many versions that should—and do—rank above this one. It should go without saying, but nevertheless I’ll divulge: 2/27/69, 2/13/70, 9/19/70, 2/18/71, 4/8/72, 5/11/72, 8/27/72, 9/21/72… to name a few). But I digress. Anyway, for this DS on this particular night, a little more focus, and a little less aimless meandering would have made this one a much stronger candidate for the best of 1973. At one point around a 1/4 of the way through this DS, Mr. Lesh tries to inject some adrenaline into this otherwise lifeless beast by plucking Phil bombs in the hopes of making something happen. It seems as if the boys begin to follow his lead, but it is only fleeting, and the half-baked jam wanders off again into a sedated directionless fixture of sound. In truth, this version never hits the peaks and valleys of other versions from this year (2/15 & 11/11 are the obvious ones, while10/19 & 12/18 deserve an honorable mention). The EYES that follows the DS, while good (even the worst Eyes of '73 is still stellar!) is nowhere near the best of the year. (Look to 2/15, 2/22, 5/26, 9/7, 10/19, 10/29, 11/11 for prime candidates).

Again, not to pee on everyone's parade here, but in a year like 1973, we all need to be ever mindful about being very objective about every show played in this incredible year. Of course, I’ll concede that this is a decent show (It's 1973, by jove!), but compared to some of its brothers & sisters of the same year, it pails IMHO.

I urge everyone to please listen objectively and perhaps you'll see my point...which is that this show seems to get inordinately praise precisely because of its extraordinarily long DARK STAR, and, in-turn, has garnered much hype, be it warranted or not.

I have a suspicion some curious listeners unfamiliar with certain shows or year(s) might stumble upon a show like this one, partly because it has so many reviews and it has attracted so much discussion that a snowball effect began to take shape. If I were less familiar was an era and was looking for a ’73 show, I might listen to this one first without having the benefit of hearing others, and be blown away by this night bar-none! After all, it’s a Grateful Dead show played in ’73, which, all told, is high caliber music. But if I had already listened to the likes of shows from 2/15, 2/19, 3/22, 3/24, 10/19, 10/21, 11/11, 11/14, 11/17, 11/30, 12/2, 12/18, 12/19… well… well…

But each to his/her own. My two cents on this one has been written. BTW, this show is only the second most overrated show of ’73 IMHO… the prize for #1 goes to 6/10!

Be kind, love thy neighbor, and listen to the Grateful DEAD!

p.s. All grievances aside, I must mention the HERE COMES SUNSHINE from this night. This version is one to behold, indeed! This one should be placed among the likes of 12/19, 11/30 & 11/17.
Reviewer: njpg - - December 7, 2012
Subject: A crispy,
crunchy and yet warm recording of a pristine performance. Godchaux's playing actually outshine's Garcia's in places (check out Deal & Greatest Story), and the latter's is excellent.
Reviewer: grateful greensky - - February 4, 2012
Subject: one show down and another to go
Grate sound and Playin',not sure why Deadbase IX does not have the entire setlist in the book for this show hope this is all from this night.nice little Warf rat tease before eyes.thanx to all involved Grateful (~;}
Reviewer: kikkoman - - June 25, 2011
Subject: Boston Garden 04/02/73 20:27
This is a great show top to bottom. Sound quality of this board absolutely golden. I love this tour.

However, I need to point out that the HCS from Boston Garden 4-2-73 is 20:27. It is one of the greatest and most intense jams ever. From Sunshine, through the darkness and out into Bobby McGee. Check it out.
Reviewer: Evan S. Hunt - - December 18, 2010
Subject: Great Grate
Read the other reviews.

HC Sunshine and Dark Star>Feedback> Eyes all with their 879 different tones reaching the zenith of human emotion = immaculate.
Reviewer: briandooner - - August 29, 2010
Subject: china rider jam
this little major key jam sandwiched in china rider is among the best of that 73/74 period
Reviewer: cugel - - August 7, 2010
Subject: Greatest Here Comes Sunshine Ever?
I created a CD of the best Songs of '73 -- my idea was to make something similar to the Europe '72 and Steppin' Out CD collections. Well, after listening carefully to them all, I chose this Here Comes Sunshine as the best of '73 (and along with the 2/23/74 Winterland show, the BEST H.C. Sunshine ever).

If you haven't heard this you owe it to yourself to have a listen. Always brings a smile to my face. Truly magnificent interplay between Jerry & Bob and just when you think they've exhausted the melody and will wind things up, Jerry takes it up a notch into another dimension.

Don't miss it!

If you want a truly great Dark Star though check out Empire Wembley Pool 4/8/72 (on the Steppin' Out CD), or the 2/27/69 ("Live Dead" DS), the 3/1/69 Fillmore West DS, or 11/2/69 Family Dog at the Great Highway DS -- to name just a few of the truly great Dark Stars.
Reviewer: cringle - - March 3, 2010
Subject: Greatest DS Ever Told
Best. Dark. Star.

Ever.

Phil and Keith bring it.

Super HCS too - a NoCal sunshine daydream.
Reviewer: snow_and_rain - - December 2, 2009
Subject: Nice upgrade
No need to add to what's already been said about this show in the previous seed. This source is louder and cleaner, though the other one wasn't too bad to begin with.

Thanks!
Stream Only
Stream playlist
( VBR )
In Collection
Grateful Dead
In Collection
Live Music Archive
Uploaded by
Matthew Vernon
on 12/1/2009
Views
10,293
Favorites
13
Reviews
9
PEOPLE ALSO FOUND
Grateful Dead
by Grateful Dead
9
0
0
Source: DTS-Audio-CD 5.1 Mix; SBD (shnid=15076) SBD>MC>DAT>CDR; Via Paul G; Seeded by T. Wiley + AUD (shn id 90976) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin
Grateful Dead
by Grateful Dead
188
0
0
Source: OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Fuji FR-Metal 90's, with no Dolby.
Grateful Dead
by Grateful Dead
928
0
0
Source: Sennheiser MD-441's > Sony TC-D5M > Maxell MX-90's, no Dolby, next to the soundboard.
Grateful Dead
by Grateful Dead
665
0
0
Source: nak 300/cp4 (@ board, 12') > tcd5m (tdk mar 90 +dolby)
Grateful Dead
by Grateful Dead
744
0
0
Source: Recorded By Floater,Transfer By Keo; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Tapes Maxell XLII-90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
Grateful Dead
by Grateful Dead
94
0
0
Source: AUD: Beyers M88's > lead deck Sony D5 > Sony TC-D5M > TDK MA-90's, with no Dolby, set up in second row of seats at end of the floor.
Grateful Dead
by Grateful Dead
2,248
0
0
Source: Nakamichi 300 Shotguns CP4's & Sony TCD5M
Grateful Dead
by Grateful Dead
499
0
0
Source: lineage: sennheiser 421 (fob)> d-5> d-5> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Grateful Dead
by Grateful Dead
17
0
0
Source: DTS-Audio-CD 5.1 Mix; SBD (shnid=110519) Recording Info: SBD -> Master Dat (48k); Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; Transfers and Mastering By Charlie Miller + AUD (shn id 91996) Sennheiser ME-80's>Technics SV-MD1
Grateful Dead
by Grateful Dead
450
0
1
( 1 reviews )
Source: First Generation Cassettes From Unknown Mics/Deck>Unknown Original Copy Decks/Info; Tapes From White,Transfer By Keo; Tapes Maxell XLII Gold 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz